GymRatzz Activewear · Case study

A New York shoot.Built from Chicago.

A Florida brand, a Maryland agency and one production day in New York. I brought the models, crew, photography and motion together, then delivered a library ready for the brand’s team.

My role · Production · Photography · Cinematography · Casting and crewing · Color grading

01

Building a New York production from Chicago

Wearpulse booked me to produce photography and video for GymRatzz Activewear, a Florida-based men’s performance-wear brand. The agency was in Maryland, the shoot was in New York, and I coordinated from Chicago. The brief called for two male models, the brand’s wardrobe, and one outdoor production day.

There was a week to assemble the team and one available shoot date, without a rain date. My responsibilities covered producing, photography, and cinematography. The early work was therefore practical as well as creative: find the right people, establish who could approve decisions, and make the day workable before anyone arrived on location.

Model stretching on a New York running track in a GymRatzz sleeveless top and training pants
GymRatzz white long-sleeve performance shirt photographed on a model outdoors
UNSTOPPABLE back graphic on a GymRatzz long-sleeve performance shirt

GymRatzz Activewear · Project samples · Scroll to see the collection →

02

Giving the client choice and the shoot clear responsibilities

I presented ten models from my network, from which the client selected two. I coordinated the production assistant and model releases, while the brand supplied the clothing. Wearpulse’s Kevin Lee represented the client on set and could approve looks and shots as we worked.

That division of responsibilities made the feedback immediate. We could move between wardrobe looks, stills, and motion with a shared understanding of what had been approved. An indoor-gym fallback was planned for weather, while the outdoor approach gave the activewear a setting beyond a studio backdrop.

03

Creating a library of movement and product detail

The two models wore multiple outfits, so the day needed to balance variety with useful coverage of each look. Photography and video shared the same production rather than being treated as separate shoots. The material included the clothing in motion, logos, pockets, and details that could support different brand placements.

I shot the video in S-Log3 and graded the clips to Rec.709 in DaVinci Resolve, providing a consistent starting point for the brand’s own edit. The selected client stills were supplied for its post-production. The photographs displayed in this portfolio were selected and edited by me; they represent my presentation of the shoot.

Close-up of the GymRatzz chest logo and lettering on a white performance shirt
Model in an orange GymRatzz training shirt seated beside an outdoor basketball court
Uncorrected S-Log3 video frame of a GymRatzz model on outdoor bleachers
S-Log3 source
The same GymRatzz video frame after Daniel Tomei’s Rec.709 color grade
Rec.709 grade
GymRatzz navy shirt back graphic photographed against the New York waterfront skyline
Model wearing a blue GymRatzz performance shirt while lifting a dumbbell outdoors
Detail of the zip pocket on navy GymRatzz training shorts

GymRatzz Activewear · Project samples · Scroll to see the collection →

04

Separating the client delivery from later concepts

The client delivery was completed eight days after production and included the graded video, selected stills, and agreed model releases. The assignment came through a direct recommendation and was my first collaboration with Wearpulse. It brought together casting, crew coordination, stills, motion, and delivery across several locations and stakeholders.

The later 30-second AI-assisted social concepts are a separate portfolio exploration using the footage, rather than part of the original commissioned deliverables. The original production gave the agency and brand a flexible library of stills and motion, built through clear responsibilities, a working network, and a coordinated day on location.

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